Till Lindemann "My World" Tour 2025 – Between Provocation, Poetry, and Pure Power
Cold light floods the arena. Heavy, synthetic beats crawl from the speakers like fog over a graveyard. Then he appears—Till Lindemann, 63 years old, a bass-baritone voice like an earthquake, a stage presence like a law of nature. The intro "Meine Welt" leaves no doubt: his rules apply here. Welcome to Till’s world.
The "My World" Tour 2025 is Till Lindemann’s most ambitious solo project to date. Over 51 shows in 17 countries, completely sold-out arenas, a completely redesigned stage show—and, of course, controversy. We have taken a close look at the tour.
@Jens Koch
A Tour Kick-off with a Statement—and Protest
On October 29, 2025, the starting signal was given in Lindemann's hometown of Leipzig. Around 10,000 fans filled the Quarterback Immobilien Arena to the last seat. But it wasn't just fans who came: protesters had gathered outside the hall once again. The allegations from 2023—several women had accused Lindemann of abuse; the investigations were dropped for lack of evidence—continue to resonate. Like a mist hanging over the evening: unspoken, but palpable.
Lindemann himself? He doesn't ignore the protests, but he doesn't comment on them either. He simply plays on. Provocative as ever. You can read that as arrogance or as artistic consistency. It is presumably both.
The Stage Show: Dystopian Theater at Arena Level
Anyone who knows Rammstein knows that Till Lindemann is not a man of half measures. However, the "My World" Tour deliberately takes a different path than the stadium pyrotechnics of his main band. Instead of pure fire power, the show focuses on theater, physicality, and visual provocation.
The stage resembles a dystopian tableau. Projections, cold light, heavy industrial aesthetics. Lindemann is once again working with set designer Florian "Flo" Wieder, who was already responsible for Rammstein's legendary stadium shows. The result is a production that relies less on explosions and more on atmosphere—but seems no less intense.
Shock effects, sex, and provocation are fixed parts of the program. Dancers in nun costumes and stockings, explicit images on the screens, a drummer throwing cakes into the audience, lots of bare skin, blood, and simulated vomit—the full program of Lindemann's aesthetic. Calculated? Absolutely. Arbitrary? Never. Lindemann knows exactly which images stick. And he creates them with the precision of a director.
@ Jens Koch
The Band: More Than Just Accompaniment
One of the biggest surprises of the tour is the band. Lindemann has assembled a high-caliber ensemble that is far more than just a backing band:
- Kristin "Momo" Kaminski on bass
- Emily Ruvidich and Daniel Lohner on guitars
- Joseph Letz on drums
- Brynn Route on keyboards—and as a first-class pole dancer
- Andrea and Luisa from The Sinderellas as dancers
Luisa in particular stands out: her choreographies are a mix of ballet, flamenco, and contemporary dance—elegant, dramatic, and perfectly synchronized with the songs. Her performance during "Tanzlehrerin" is one of the most impressive moments of the entire show.
Brynn Route deserves a special mention. She doesn't just play keyboards; she delivers breathtaking pole dance interludes in several songs. Her stage presence is enormous. There is always something to see—left, right, up, down. The stage is alive.
And Till himself? Vocally in absolute top form. After a somewhat difficult start in Düsseldorf, he already showed in Hamburg that the voice is solid. In Nuremberg and Stuttgart: full, powerful, clean—one of his best vocal runs in years.
The Setlist: 18 Songs, 90 Minutes, Zero Lull
The "My World" Tour setlist comprises 18 songs and covers Lindemann's entire solo body of work. Here is the full setlist (based on the tour opener in Leipzig):
- Meine Welt (Intro only)
- Fat
- Und die Engel singen (Live Premiere)
- Schweiß
- Altes Fleisch
- Golden Shower
- Sport frei
- Tanzlehrerin
- Blut
