Rammstein Live 2024
  DOSSIER STG-001 · REV 04
LIVE ARCHIVE · 2019–2024
Rammstein · Stadium Tour

The Stage
20192024

2019 · 2022 · 2023 · 2024/36 m × 60 m/Metropolis
5
Years
141
Shows
6M+
Fans
1 350 T
Equipment
Scroll · Stage Dossier
5YEARS
May 2019 → July 2024
141SHOWS
Across three continents
6M+FANS
Total attendance
36 / 60M
Tower — height / width
1.000+FIXTURES
Fixtures in the rig
1.350T
Equipment / stadium (US)
01 · CREATIVE & CREW
Who built it

A city of
steel. One team
of specialists.

The stage was designed by Munich architect Florian Wieder (Wieder Design Studio). His reference was Fritz Lang’s 1927 film Metropolis, with nods to steampunk, Blade Runner and Tron. Show and lighting design came from Patrick Woodroffe and Roland Greil (Woodroffe Bassett Design); Jeremy Lloyd (Wonder Works) handled the engineering. Nicolai Sabottka ran production and special effects.

Stage Design
Florian Wieder
Wieder Design Studio · Munich · "Metropolis" concept
Set Co-Design
Cuno von Hahn
Set architecture · detailing
Show & Lighting Design
Patrick Woodroffe
Woodroffe Bassett Design
Show & Lighting Design
Roland Greil
Woodroffe Bassett Design · "> 1,000 fixtures"
Tech. Consultant
Jeremy Lloyd
Wonder Works · Engineering Lead
Production Manager · SFX Lead
Nicolai Sabottka
FFP Berlin · Pyro & SFX
FOH Sound Engineer
Olsen Involtini
Front of House · master mix
Audio Systems Tech
Andreas Vater
PA system · time-align · tuning
02 · VENDORS · SUPPLY CHAIN OF THE TOUR

Five houses. One stage.

Steel · Stage
Stageco
Tildonk · BE
Automation
WIcreations
Heist-op-den-Berg · BE
Lighting
Neg Earth Lights
London · UK
Video
Solotech
Montreal · CA
Audio
SSE Audio · Solotech
Redditch / Montreal
Pyro · SFX
FFP Berlin
Berlin · DE · in-house R&D
InspirationFritz Lang’s METROPOLIS (1927), plus steampunk, Blade Runner and Tron: the design reads like an industrial skyline — angular, black, vertical, with one large machine at its centre.
02 · STAGE STRUCTURE
Stageco · Steel + Statics

One tower.
One wall.
Two columns.

At the centre stands a black steel tower, 36 m high and 60 m wide, with around 45 m² of moving video surface, travelling band platforms and flame effects. Robe and Claypaky put the height at 38 m, depending on whether the superstructures are counted. Behind it sits a 55 m wide back wall: not a video wall, but a large lighting display, topped by a platform at 12 m for sky-tracers and pyro. In front stand two custom-built 23 m PA towers (1.4 × 1.4 m), engineered for high wind loads.

DWG · STG-T01 · FRONT ELEVATION
FRONT · NTS
Foto · ELEMENT 01 · CENTRAL TOWER
ELEMENT 01 · CENTRAL TOWER
36 m tall.
60 m wide.
The heart of the stage: black Stageco steel with four vertical light rails in the front face, around 45 m² of moving video surface and travelling band platforms in the frame. Robe and Claypaky list the height as 38 m — the difference comes from the superstructures.
Height36 m (38 m alt.)
Width60 m
MaterialStageco steel
Video area≈ 45 m²
Light rails4× vertical
SourceStageco
DWG · STG-P01 · PA-TOWER ELEVATION
SIDE · NTS
Foto · ELEMENT 02 · DOWNSTAGE PA TOWER
ELEMENT 02 · DOWNSTAGE PA TOWER
23 m tall.
1.4 × 1.4 m.
Two custom-built PA towers stand front left and right, engineered for high wind loads. They carry the flown K1/K2/K1-SB line and the frontfills.
Quantity
Height23 m
Cross-section1,4 × 1,4 m
Load ratingWind ↑
PA loadK1 · K2 · K1-SB
BuilderStageco · custom
DWG · STG-L01 · LIGHTING POD
SIDE · NTS
Foto · ELEMENT 03 · LIGHTING POD
ELEMENT 03 · LIGHTING POD
⌀ 5 m.
On a rail.
Two round lighting pods, 5 m across, ride up the tower on a rail. They hold LED rails, wash and beam fixtures that open up new light layers as they climb.
Quantity
Diameter⌀ 5 m
MovementVertical · rail
Travel pathTower axis
FitmentLED · Beam · Wash
SourceStageco
DWG · STG-W01 · BACK WALL · SECTION
FRONT · NTS
Foto · ELEMENT 04 · BACK WALL + PLATFORM
ELEMENT 04 · BACK WALL + PLATFORM
55 m wall.
+12 m platform.
A roughly 55 m wide back wallnot a video wall, but the carrier of a large lighting display. On top, a platform at 12 m for the sky-tracers and pyro.
Width55 m
Platform height+12,00 m
FunctionLight display
Platform loadSky-Tracer · Pyro
Not— No video —
SourceStageco
02·1 · STRUCTURAL FACTS

What Stageco built

The official Stageco figures for the tour. Behind every entry stands a steel builder who has equipped the world’s biggest tours for decades.

Central tower36 m tall · 60 m wide · black Stageco steel · ≈ 45 m² automated video surfaces · moving band platforms · flame effects
Tower height (alternative)38 m — Robe / Claypaky · difference from superstructures
Back wallapprox. 55 m wide · no video wall · carrier of a light display · platform at 12 m height for sky-tracer + pyro
Downstage PA towers2 units · 23 m height · 1.4 × 1.4 m cross-section · engineered for above-average wind loads
Lighting pods2 units · ⌀ 5 m · ride up the tower on a rail
Stage canopies2× custom · transparent · 4 columns each · pyro wiring integrated
Delay towers4 units · distributed in the audience · audio + video
FOHControl riser · complete stage deck · all platforms Stageco
03 · AUTOMATION
WIcreations · WIMOTION · SIL3

Two machines.
27 m. 26 m.
0.4 m/s.

The motion system came from WIcreations in Belgium, using their own WIMOTION platform with SIL3 position monitoring — the highest safety level actually used in live entertainment. Two machines carry the show’s vertical movement: a 5 × 9 m HD video wall that travels 27 m up and down the tower (wind-safe to 15 m/s), and a lift that raises all six band members 26 m above the main stage. Both run on 10 WIHOISTs at up to 0.4 m/s. For the first build, WIcreations delivered 72 tonnes of custom kit on 10 trailers — built in 14 weeks.

DWG · WIM-A · VIDEOWALL · VERTICAL TRAVEL
SECTION · NTS
Foto · ELEMENT A · HD VIDEO WALL
ELEMENT A · HD VIDEO WALL
5 × 9 m.
↕ 27 m.
A 5 × 9 m HD video wall of 600 Saco S9 (9 mm) tiles that travels 27 m up and down the tower — carried by WIMOTION hoists with SIL3 position monitoring, wind-safe to 15 m/s.
Area5 × 9 m
Travel27 m
Tiles600 × Saco S9
Pitch9 mm HD
Wind-secured≤ 15 m/s
DriveWIMOTION · SIL3
DWG · WIM-B · BAND LIFT
SECTION · NTS
Foto · ELEMENT B · BAND LIFT
ELEMENT B · BAND LIFT
26 m.
6 musicians.
A lift raises all six band members 26 m above the main stage. Wall and platform together run on 10 WIHOIST motors at up to 0.4 m/s, redundant and with SIL3 monitoring.
Travel26 m
Pax6 musicians
Speed≤ 0,4 m/s
Hoists total10 × WIHOIST
SafetySIL 3
Build72 t · 10 trailers · 14 wks
04 · LICHT
Neg Earth Lights · London

> 1 000
Fixtures.
A city of light.

Roland Greil called it a “rig with over 1,000 fixtures”. It was supplied by Neg Earth Lights of London. Each maker lists only its own units; added up, the counts below reach the often-quoted thousand-plus. Programming was by Marc Brunkhardt, with Faren Matern operating on tour. Control runs on 4 grandMA2 full-size and 1 grandMA2 light.

NoteExact totals for each fixture aren’t fully published. The figures come from the manufacturers’ official numbers (Robe, Vari-Lite, Claypaky, Chroma-Q, SGM, AO Lighting) and the trade press (TPi).
Robe · CZ×56
Robe BMFL WashBeam
FRONTNTSFoto · Robe BMFL WashBeam
Maße H×B×T826 × 483 × 335 mm
Gewicht38,4 kg
Lampe1 700 W HTI
Frontlinse⌀ 180 mm
Pan / Tilt540° / 270°
Output300 000 lx @ 5 m
Position · Tower
In four vertical rails on the tower, each weatherproofed. Backlight and beam.
Robe · CZ×12
Robe BMFL FollowSpot LT
FRONTNTSFoto · Robe BMFL FollowSpot LT
VarianteBMFL Long Throw
Lampe1 700 W HTI
Frontlinse⌀ 180 mm
ControlRemote Follow
ThrowStadium
Pan / Tilt540° / 270°
Position · Trusses
Remote follow-spots for long throws — from the truss to the B-stage.
Robe · CZ×6
Robe LEDBeam 150
FRONTNTSFoto · Robe LEDBeam 150
FormCompact MH
Source7 × 40 W RGBW LED
Pan / Tilt540° / 220°
Beam4 – 60°
Weight9,5 kg
IPIP20
Position · Set-Cladding
Accent beams in the set cladding: fast, small, agile.
Vari-Lite · US×122
Vari-Lite VL6000 Beam
FRONTNTSFoto · Vari-Lite VL6000 Beam
Lampe1 500 W
Frontlinse⌀ large · signature
Pan / Tilt540° / 270°
Beam3° – 14°
Weight41,7 kg
ClassWorkhorse Beam
Position · Universal
Chosen for its large front lens, high output and reliability. The workhorse of the rig.
Claypaky · IT×40
Claypaky Mythos 2
FRONTNTSFoto · Claypaky Mythos 2
FormHybrid Beam / Spot
Lampe470 W Osram Sirius HRI
Pan / Tilt540° / 252°
Beam2,5° – 53°
Weight27 kg
Layout20 / track · 2 tracks
Position · Tower-Rear
20 per vertical rail, on two rails — 40 units, hidden at the back of the tower.
Claypaky · IT×8
Claypaky Sharpy
FRONTNTSFoto · Claypaky Sharpy
FormPure Beam
Lampe189 W Osram Sirius
Beam0° – 3.8° (narrow)
Pan / Tilt540° / 250°
Weight16 kg
LookRazor-sharp
Position · B-Stage
At the B-stage as tight beams — the sharp, clean shaft of light.
Claypaky · IT×—
Claypaky HY B-EYE K25
FRONTNTSFoto · Claypaky HY B-EYE K25
Form7-LED wash · rotating
Source37 × 15 W RGBW LED
Pan / Tilt540° / 220°
Beam4° – 60°
Pixel-MapYes
Qty
Position · Eye-Candy
Pixel wash that behaves like a beam. Quantities not published.
Claypaky · IT×—
Claypaky Scenius Unico
FRONTNTSFoto · Claypaky Scenius Unico
FormSpot · Wash · Beam
Lampe1 400 W Osram
Pan / Tilt540° / 270°
Beam5° – 55°
Gobo2 wheels
Framing4 blades
Position · Allrounder
Spot, wash and beam in one fixture — precise gobo projection plus wash.
Chroma-Q · UK×86
Chroma-Q Color Force II 72
FRONTNTSFoto · Chroma-Q Color Force II 72
FormLED Batten
Length1,83 m (72")
Cells12
LEDRGBA
Output17 700 lm
IPIP20
Position · Set-Cladding
Built into the set cladding for the outline wash. (Source: TPi.)
Chroma-Q · UK×18
Chroma-Q Color Force II 48
FRONTNTSFoto · Chroma-Q Color Force II 48
FormLED Batten
Length1,22 m (48")
Cells8
LEDRGBA
Output11 800 lm
IPIP20
Position · Set-Cladding
Shorter battens for tighter set lines.
Chroma-Q · UK×28
Chroma-Q Color One 100 / 100X
FRONTNTSFoto · Chroma-Q Color One 100 / 100X
FormLED PAR
Source100 W RGBW LED
Beam17° / 24°
Weight3,4 kg
ControlDMX / RDM
ClassIP20 / IP65 (X)
Position · Set-Edges
In the set cladding — point accents along the steel edges.
SGM · DK×69
SGM P-10
FRONTNTSFoto · SGM P-10
FormIP65 Pixel Wash
Source12 × 50 W RGBW LED
Output27 000 lm
Beam21° – 60°
Weight12,5 kg
IPIP65
Position · Roof / Tower
Wide-area wash that brings out the scale of the structure. (Source: TPi.)
SGM · DK×—
SGM WildSun K25 SR
FRONTNTSFoto · SGM WildSun K25 SR
FormSolar wash · blinder
OutputSolar-bright
LEDWarm + cold white
IPIP65
FunctionBlinder · Sun-FX
Qty
Position · Blinder
Sun blinders, very bright. Quantities not published.
Hungaro · HU×3
Hungaro Lighting T-Light
FRONTNTSFoto · Hungaro Lighting T-Light
FormCustom T-Form
CharacterSet-FX
OriginHungary · custom
Qty3
OpticsLED Bar Cross
LookCharacter-Piece
Position · Set-Akzent
Custom fixtures from Hungary — character accents in the set.
AO Lighting · IT7 / 3 kW
Space Cannon Falcon Beam (Xenon)
SIDENTSFoto · Space Cannon Falcon Beam (Xenon)
FormXenon searchlight
Power7 000 W · 3 000 W
LampeXenon Short-Arc
OutputStadium-Beam
Look"Burning" beam
Versions2 models
Position · Sky-Tracer / Stadium
Falcon Beam at 7,000 and 3,000 W — the band’s signature beams.
Brilliant Stages · UK∞ m
Brilliant Stages LED-Tape
PLANNTS
Foto · Brilliant Stages LED-Tape
FormLED-Strip / Tape
UseOutline · architecture
MakerBrilliant Stages
LayoutSet contours
LengthCustom · ∞
LookIndustrial Trim
Position · Set-Outline
LED tape by Brilliant Stages, as an outline on the set architecture.
05 · LIGHTING CONTROL
MA Lighting · grandMA2

5 desks.
1,000+ fixtures.
1 programmer.

The whole show runs on four grandMA2 full-size plus one grandMA2 light. Programming was by Marc Brunkhardt; on tour Faren Matern runs the desk. The consoles talk to the entire rig over sACN and Art-Net on the tour network, including all spot-operator positions.

CONSOLE · GRANDMA2 FULL-SIZE

Four times the big desk.

Each grandMA2 full-size offers 4,096 parameters and two internal screens, plus two external touchscreens. All desks are linked as hot backups.

Main consoles grandMA2 full-size
Backup / Spot grandMA2 light
ProgrammerMarc Brunkhardt
On TourFaren Matern
NetworksACN · Art-Net · MA-Net2
DWG · CON-MA2 · GRANDMA2 FULL-SIZE
Photo · grandMA2 full-size
06 · VIDEO
Solotech · Saco · disguise

600 tiles.
5×9 m. 9 mm.
↕ 27 m.

600 tiles of the in-house 9 mm modules Solotech / Saco S9 with Saco Nano processing form the 5 × 9 m HD wall that travels 27 m up and down the tower. It’s fed by two disguise GX2 Pro servers, controlled from a grandMA2 light, with a Barco ImagePRO as scaler. The Solotech flypack holds a Grass Valley Korona switcher, a Ross 32×32 SDI router and a large camera package.

DWG · VID-S9 · SACO S9 · 9 MM TILE
Photo · Saco S9 LED module
SIGNAL CHAIN · VIDEO

From server to pixel.

01
disguise GX2 Pro×2 · media server
Main feed + backup
02
grandMA2 lightVideo cue trigger
MA-Net2
03
Barco ImagePRODual Scaler
Up/down · format
04
Grass Valley KoronaSwitcher
Live · IMAG
05
Ross 32×32 SDI RouterRouting Matrix
All-to-all SDI
06
Solotech Camera PackageMulticam
Hand + Hotheads · Lipstick
07
Saco-Nano Processing
600× Saco S9 9mm
08
HD-VIDEOWALL · 5 × 9 M
↕ 27 m · WIMOTION
07 · AUDIO · PA
L-Acoustics · SSE / Solotech

L-Acoustics
K1 · K2 · KS28
Milan AVB.

Supplied by SSE Audio (UK) and Solotech — at the time SSE’s largest AVB tour. Audio runs over Milan AVB, powered by 180 LA12X controllers. At FOH: Olsen Involtini; systems tech: Andreas Vater; crew chief: Nick Pain with 10 technicians. Load-in 4–6 hours, load-out often just 2.

07·1 · TOTAL LOUDSPEAKER-SYSTEM INVENTORY
140
K1
Main Line-Array
128
K2
Side · Delay
40
K1-SB
Flown Subs
68
KS28
Ground Subs
16
ARCS II
Frontfill
16
KARA
Frontfill
L-Acoustics · FR×140
L-Acoustics K1
FRONTNTSFoto · L-Acoustics K1
Form3-way active WST®
LF2 × 15" neodymium
MF · HF4 × 6,5" · 3 × 3"
Weight106 kg
Horizontal90° symm.
Max SPL149 dB Peak
Position · Main + Delay
Per show, 2 mains of 18 each plus 4 delay towers of 16. The line source for the stadium.
L-Acoustics · FR×128
L-Acoustics K2
FRONTNTSFoto · L-Acoustics K2
Form3-way active
LF2 × 12"
MF · HF4 × 6,5" · 3 × 3"
Dims H×W×D1338 × 400 × 354 mm
Horizontal110° Panflex
ClassK family
Position · Down · Delay
2 mains of 4, 4 delays of 4, 8 roof delays of 12 — for coverage across the bowl.
L-Acoustics · FR×68
L-Acoustics KS28
FRONTNTSFoto · L-Acoustics KS28
FormDual 18" · bass reflex
LF2 × 18" neodymium
Dims H×W×D719 × 1340 × 565 mm
Weight79 kg
Max SPL143 dB Peak
DirectivityStd. · cardioid
Position · Stage Front
68 units ground-stacked in front of the stage, wired cardioid so the stage stays quieter.
L-Acoustics · FR×40
L-Acoustics K1-SB
FRONTNTSFoto · L-Acoustics K1-SB
FormFlown · sub companion
LF2 × 15"
Dims H×W×D505 × 1342 × 438 mm
Max SPL145 dB
Low limit30 Hz
PositionFlown · in K1 hang
Position · Flown
Two flown hangs of 20 each — extra low end at grandstand height.
L-Acoustics · FR×16
L-Acoustics KARA
FRONTNTSFoto · L-Acoustics KARA
Form2-way Compact LA
LF2 × 8"
Dims H×W×D250 × 730 × 482 mm
Horizontal110° Panflex
ClassModular Mini
UseLip / Frontfill
Position · Lip
16 units at the stage edge as frontfill for the front rows.
L-Acoustics · FR×16
L-Acoustics ARCS II
FRONTNTSFoto · L-Acoustics ARCS II
FormConstant-Curvature
LF1 × 15"
HF1 × 3" compression
Horizontal22,5°
CharacterOff-axis fill
ClassClassic · L-Acoustics
Position · Side / Lip
16 units to the side and front — the constant-curvature ARCs cover off-axis seats.
L-Acoustics · FR×180
L-Acoustics LA12X
TOPNTSFoto · L-Acoustics LA12X
Form2U 4-CH Amp · DSP
Output4 × 2 600 W
NetworkMilan AVB
FunctionActive Linearization
ProtectL-Drive
Tour scalethen SSE’s largest AVB tour
Position · Drive · Amp-City
180 amplifiers — per SSE, the house’s largest AVB tour at the time.
07·2 · TYPICAL CONFIGURATION PER SHOW

What actually hangs on a given night.

Main Hangs · L+R · DOWNSTAGE
· 18 K1 + 4 K2
Delay towers in the audience · 4× POSITIONS
· 16 K1 + 4 K2
Roof delay hangs · UPPER TIER
· 12 K2
Front-Fills KARA · LIP
16× KARA
Front-Fills ARCS II · LIP
16× ARCS II
Flown Sub Hangs · FLOWN
· 20 K1-SB
Ground Subs · STAGE FRONT
68× KS28
Amplification · DRIVE
180× LA12X
08 · CONSOLES
Avid Venue · S6L · Waves SoundGrid

FOH and
monitor side —
identical.

FOH: two Avid Venue S6L with two S6L-32D surfaces each, two E6L-192 engines, two Waves SoundGrid Server Extreme and two Stage-64 stageboxes. The monitor side is set up the same way — so it can fully take over if needed, with the same show files. The audio team: 10 technicians under crew chief Nick Pain.

DWG · CON-S6L · AVID VENUE S6L · 2× S6L-32D
Photo · Avid VENUE | S6L
2× S6L-32D · SURFACE
2× E6L-192 · ENGINE
2× WAVES SOUNDGRID SERVER EXTREME
2× STAGE-64 · STAGEBOX
FOH ≡ MON
LOAD-IN 4–6 H · LOAD-OUT ≈ 2 H
09 · PYROTECHNICS · SFX
FFP Berlin · Sabottka · in-house R&D

≈ 1 000 L
fuel.
Per show.

Sabottka’s Berlin company FFP was in charge. Rammstein runs its own research and development team that builds and tests effects. Each stadium show uses around 1,000 litres of fuel (other sources say ~700 l, depending on show and venue). According to Sabottka, Lycopodium is used often — a yellowish powder that makes large, controllable flames. Depending on the authority, zero to around a hundred firefighters are on site.

Sensitive topiconly publicly documented show facts here, no build instructions for effect devices.
Fuel / show
≈ 1 000L
Alt. sources ~700 l · venue-dependent
Main agent
Lycopodium
Yellow powder · controllable flame
Firefighters / show
0 → ≈ 100
Depending on authority & venue
R&D
In-house
Own prototype department · tests
FFP Berlin · DE≈ 2 m
Flame Wall
FRONTNTSFoto · Flame Wall
Effect typeFlame Wall
PositionDownstage · Lip
Height≈ 1,5 – 2 m
Duration4 – 12 s
FuelPropan / Lycopodium
ControlCue · FFP
Effect · Flame Wall
Several nozzles along the stage edge — the signature horizontal wall of fire.
FFP Berlin · DE≈ 12 m
Pyro Fountain / Gerbe
FRONTNTSFoto · Pyro Fountain / Gerbe
Effect typeGerbe / Fountain
Height8 – 12 m
Duration6 – 10 s
AgentPyro-Pulver
PositionStage pyro points
AspectVertical
Effect · Fountain
Vertical pyro fountains as accents — timed to drum hits and choruses.
FFP Berlin · DE9 nozzles
Flamethrower Backpack
FRONTNTSFoto · Flamethrower Backpack
Effect typePerformer-Rig
Config9-way arc
CarrierPerformer · stage
FuelStadium-Setup
CharacterIconic FX
ControlIn-house R&D
Effect · Backpack
Performer backpack with an arc of 9 flame nozzles — in-house, not publicly reproducible.
FFP Berlin · DE×—
Burning Prop
FRONTNTSFoto · Burning Prop
Effect typeBurning Prop
ExamplesPiano · cauldron · chains
ShellSet-piece fireproof
DurationShow arc
PositionStage / pit
CharacterTheatrical
Effect · Set-Piece
Set pieces that burn during a song — prepared, fireproof builds.
FFP Berlin · DE×4
Delay-Tower Flames
FRONTNTSFoto · Delay-Tower Flames
Effect typePillar Pyro
StructureDelay towers in the audience
DirectionVertical · upward
Count4 towers
TriggerCue · synced
EffectSurround-Pyro
Effect · Audience Pyro
Flames shoot from the delay towers in the audience — pyro all around, in the middle of the stadium.
FFP Berlin · DE"Powder"
Lycopodium
FRONTNTS
Foto · Lycopodium
Effect typePowder flame
ColourYellow / golden yellow
CharacterLarge · controllable
ConsumptionPart of ≈ 1,000 l/show
R&DIn-house · Rammstein
Safety0 → ≈ 100 firefighters
Effektstoff · Hauptmittel
Yellowish powder that produces large, controllable flames. Frequently used main agent (source: Sabottka).
NoteThe details are schematic and only reflect publicly documented show effects, not build instructions. Consumption and effect versions vary by show, venue and regulations.
10 · LOGISTIK
From 2022 · North America

1 300—1 350 t
equipment.
4 days build.

On the 2022 US run, around 1,300–1,350 tonnes of equipment rolled into the stadium, with roughly four days of build per venue. The first WIcreations delivery alone came to 72 tonnes on 10 trailers. Audio load-in: 4–6 hours, load-out often just 2.

Equipment weight (US stadium)1 300–1 350 t
Build time (stadium)≈ 4 days
WIcreations · first delivery72 t · 10 trailers · built in 14 weeks
Audio-Crew10 technicians · crew chief Nick Pain
Audio Load-in4–6 h
Audio Load-out≈ 2 h
DWG · LOG-001 · TRUCK CONVOY · SCHEMATIC
Photo · truck convoy
11 · ZEIT TOUR · CHANGES FROM 2022
Continuity · Differences

Same stage.
New album.
Different show.

The basic framework — tower, video wall, PA towers, lighting concept — stayed the same across the tour. In 2022, L-Acoustics K1, K2, KARA, K1-SB and KS28 plus Avid Venue were still in use. What changed was mainly the setlist (new album Zeit) and some props and effects; in 2023 a few show elements were dropped (such as the “Pussy” cannon).

11·1 · UNVERÄNDERT

What stayed across all five years

Central tower · 36 m × 60 m
Stageco
5×9 m HD video wall · 27 m travel
WIMOTION
2× 23 m PA towers
Custom
PA-System K1 · K2 · KARA · K1-SB · KS28
L-Acoustics
Avid Venue · S6L
FOH ≡ MON
Lighting concept · grandMA2
Brunkhardt · Matern
11·2 · GEÄNDERT

What changed from Zeit onward

Δ
Setlist · Zeit album
2022→
Δ
Individual props · new props
tour-specific
Δ
Effect versions per show / authority
700–1 000 l
"Pussy" cannon
dropped from 2023

The tour ran from 2019 to 2024 under the name Stadium Tour. It paused in 2020 and 2021 due to the pandemic, then resumed in 2022 around the album Zeit. Final show: 31 July 2024 · Gelsenkirchen, Veltins-Arena.

12 · QUELLEN
Trade press · vendors

What is publicly
documented.

The information on this page comes from official statements by the companies involved and from the international trade press — limited to what is actually documented. Exact totals for each fixture aren’t fully published; manufacturers list only their own units, so the individual items add up to “over 1,000 fixtures” without every position being publicly listed.

PRIMARY SOURCES · DOCUMENTED TECH OVERVIEW
Stageco (Stahlbau / Bühne) · WIcreations (Automation) · Neg Earth Lights (Licht) · Solotech (Video) · SSE Audio / Solotech (Ton) · Robe Lighting · Vari-Lite · Claypaky · Chroma-Q · SGM · AO Lighting · Brilliant Stages · L-Acoustics · TPi (Total Production international) · Live Design · LSi · FOH · PLSN · Lsi Online · PSNEurope · SoundLightUp · Prolight + Sound · KARE 11 · Issuu · Exclaim! · Ao-technology